At 308 g.s.m. A cotton-based paper with a very flat matt, chalky feel producing a watercolour feel to the print. Most popular paper with illustrators and graphic artists and also suits black & white photographs very well.
At 310 g.s.m. this heavyweight etching paper is the paper with a heavy, very defined mottled texture that lends an art & craft feel to an image.
This 320 g.s.m. fibre-based paper gives you creamy whites and velvety blacks. The special coating gives you a high gloss, optical image density and vibrancy.
Museum grade 310 g.s.m., 100% cotton fine art and photo paper, with beautifully warm off-white tones and extreme texture.
A great all-round paper, chosen for its photographic aesthetics, vibrant colour reproduction, high contrast and robust feel. Its semi gloss, flat surface lends the artwork a photographic feel, combined with the subtle painterly feel of a Giclée fine art print.
Our most lightweight paper of all Giclées. The surface is resin coated making it our strongest paper.
Selected specially for the warm base quality, this paper compliments neutral tones really well, giving creamy whites and velvety blacks. This is a fibre based paper with a medium gloss coating.
Overall, a very distintive option compared to other Giclées, due to it's warm tone base. The warm base creates a subtle shift of tone and creates density and vibrancy in colours.
The Baryta is our most sensitive paper when it comes to mounting. Due to its fibers, it's difficult to cut a 100% clean edge and it can fray. We recommend to add a border to the image if you would like to have it mounted.
A pure white Baryta base paper with excellent black density, contrast and reproduction of detail. Great for high contrast images, as well as fluorescent and vivid colours.
The Baryta base creates whiter whites and deeper blacks whilst the silky smooth reflective coating enhances the detail and definition of the images.
We recommend care when handling the print as is a sensitive paper and we advise that you add a border to the image if you would like to have it mounted.
Hahnemüle Pearl has a smooth orange peel texture and a bright neutral white base, it creates really natural black and white images and offers vibrant colour reproduction and great detail too.
The paper is resin coated with a fibrous feel. The satin finish of the resin coating gives depth to the image which combined with the texture and vibrant colour reproduction give the image the feel of an oil painting.
This is one of the most suitable of the Giclée Art Paper range for mounting.
The super matt finish of Hahnemüle Photorag makes this paper one of our most popular papers amongst artists, illustrators & photographers alike.
The paper gives muted blacks with even colour reproduction, and excellent detail. The surface has minimal texture with a chalky smooth cotton feel which creates smooth colour gradients. It has a delicate surface, so we recommend extra care when handling.
Photorag is suitable for mounting but its cotton texture means edges can fray if not carefuly handled.
This heavyweight paper has a slightly warm base tone and a strong mottled texture. It creates a print with strong colours and deep blacks that feel rich and high in contrast. This is due to the texture of the paper enabling it to hold more ink and capture the light.
The German Etching is one of our heavier weight Giclée art printing papers. With its weight and strong texture this paper gives an artwork a handmade crafted feel.
Hahnemüle German Etching is a robust Giclée paper, meaning it doesn't tend to fray as much at the edges.
Canson Aquarelle Rag is another highly textured Giclée art paper in our range, offering strong reproduction of blacks and good colour intensity with a texture that holds the ink and catches the light.
This Giclée paper has a white uncoated paper base, which together with the texture gives the artwork a lovely fine art reproduction feel. The texture is even more pronounced than Hahnemühle German Etching so if you are really looking for the craft feel, this is a great option.
Like the German Etching, the Canson Aquarelle Rag is a robust paper that handles mounting well.
Giclée prints, Epson Semi Gloss
‘Epson Semi Gloss has always been my go-to paper. I draw all my work both digitally and physically and I want my limited edition prints to retain their hand-made feel but with the finish of a digital print. Epson Semi Gloss offers a strong middle ground of a photographic feel with a perfect gloss tone and crisp detail and weight you may expect to find from a traditional screen printing process.’
Giclée prints, Hahnemuele Photo Rag
'With one chance at a first impression I want to make sure my work looks it's best, so the prints I put in my portfolio are very important to me. My work is mostly environmental portraiture so there are lots of details, textures and tones within each image, capturing this within a print can be difficult but I find that the Hahneühle paper works wonderfully. I have been using the Hahneühle Photo Rag and Pearl papers for `quite a while now and love that the prints are both durable and reproduce a great tonal range, they feel like a quality object created with care and that definitely makes a good impression on prospective clients.'
Giclée prints, Hahnemuele Photorag
‘My work has always concerned simple, clean shapes interacting with a variety of bold colours. theprintspace and their Giclee printers have allowed me to create prints which are perfectly in keeping with my vision. I have found using the Photo Rag paper helps achieve the look I aim for by allowing the ink to absorb into the surface creating a deep matt finish. It also holds colour gradients very well, allowing the subtle tones of colours to blend seamlessly into one another.’
Giclée prints, Hahnemuhle Pearl
'Most of my work tends to be quite graphic and surreal with a bold colour palette, it is really important to me to be able to achieve these vivid colours when printing. Experimenting with different papers, I needed one that would really hold the vibrancy in tones and wide colour range of my images. Often the bright neon like colours on a screen could become muted when printing but with Hahnemühle Pearl it retains every detail and gradient beautifully. The chalky powder fresh texture that you get with Hahnemühle really adds to making the images come to life.'
Giclée prints, Canson Aquarelle Rag
‘I took the production of my digital prints to theprintspace a few years ago after looking around as I was impressed by their speedy production, super high quality prints and friendly service. I print all of my digital editions on Canson Aquarelle Rag because it has a beautiful texture and a lovely weighty feel, and the black and colour inks come out intense, vibrant and clear to an extremely fine degree.’
Giclée prints, Epson Semi Gloss
'I had an exhibition at The Print Space in Sept 2016, ‘Sunday Football’ to celebrate my book launch of the same name. The guys there were amazing in working out the best way to display everything. We tried a number of different papers and looked at a number of different framing options, my goal was to give the exhibition a premium fine-art presence in the space. In the end we printed extra-large 60 x 80” on the beautiful Epson Semi Gloss that held the colours perfectly, these were mounted to foamex, for a contemporary aesthetic, making sure the eye was completely focused on the print all the way to the edges. The exhibition looked beautiful and without doubt the advice, guidance and running test prints with the studio team, ensured the exhibition looked exactly how I had envisioned.'
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